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The Magicians Trilogy Box Set, by Lev Grossman
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The entire #1 New York Times bestselling trilogy that inspired Syfy’s The Magicians, now available in a gorgeous boxed set, including The Magicians, The Magician King, and The Magician’s Land
Including four fan-designed character cards, this beautiful boxed set makes a perfect gift for readers of the beloved fantasy series praised by George R. R. Martin, Junot Díaz, and Erin Morgenstern.
The Magicians
Quentin Coldwater is brilliant but miserable. A high school math genius, he’s secretly fascinated with a series of children’s fantasy novels set in a magical land called Fillory, and real life is disappointing by comparison. When Quentin is unexpectedly admitted to an elite, secret college of magic, it looks like his wildest dreams may have come true. But his newfound powers lead him down a rabbit hole of hedonism and disillusionment, and ultimately to the dark secret behind the story of Fillory. The land of his childhood fantasies turns out to be much darker and more dangerous than he ever could have imagined . . .
The Magicians is one of the most daring and inventive works of literary fantasy in years. No one who has escaped into the worlds of Narnia and Harry Potter should miss this breathtaking return to the landscape of the imagination.
The Magician King
Quentin Coldwater should be happy. He escaped a miserable Brooklyn childhood, matriculated at a secret college for magic, and graduated to discover that Fillory—a fictional utopia—was actually real. But even as a Fillorian king, Quentin finds little peace. His old restlessness returns, and he longs for the thrills a heroic quest can bring.
Accompanied by his oldest friend, Julia, Quentin sets off—only to somehow wind up back in the real-world and not in Fillory, as they’d hoped. As the pair struggle to find their way back to their lost kingdom, Quentin is forced to rely on Julia’s illicitly learned sorcery as they face a sinister threat in a world very far from the beloved fantasy novels of their youth.
The Magician's Land
Quentin Coldwater has lost everything. He has been cast out of Fillory, the secret magical world of his childhood dreams that he once ruled. With nothing left to lose he returns to where his story began, the Brakebills Preparatory College of Magic. But he can’t hide from his past, and it’s not long before it comes looking for him. Meanwhile, the magical barriers that keep Fillory safe are failing, and barbarians from the north have invaded. Eliot and Janet, the rulers of Fillory, embark on a final quest to save their beloved world, only to discover a situation far more complex—and far more dire—than anyone had envisioned.
Along with Plum, a brilliant young magician with a dark secret of her own, Quentin sets out on a crooked path through a magical demimonde of gray magic and desperate characters. His new life takes him back to old haunts, like Antarctica and the Neitherlands, and old friends he thought were lost forever. The Magician’s Land is an intricate and fantastical thriller, and an epic of love and redemption that brings the Magicians trilogy to a magnificent conclusion, confirming it as one of the great achievements in modern fantasy.
- Sales Rank: #19517 in Books
- Published on: 2015-06-09
- Released on: 2015-06-09
- Original language: English
- Number of items: 3
- Dimensions: 8.64" h x 2.95" w x 5.67" l, .0 pounds
- Binding: Paperback
Review
Praise for The Magician's Land
“Richly imagined and continually surprising. . . . The strongest book in Grossman’s series. It not only offers a satisfying conclusion to Quentin Coldwater’s quests, earthly and otherwise, but also considers complex questions about identity and selfhood as profound as they are entertaining. . . . The Magician’s Land, more than any other book in the trilogy, wrestles with the question of humanity. . . . This is a gifted writer, and his gifts are at their apex in The Magician’s Land.”
—Edan Lepucki, The New York Times Book Review
“The strength of the trilogy lies . . . in the characters, whose inner lives and frailties Grossman renders with care and empathy. . . . Quentin[’s] . . . magical journey is deeply human.”
—The New Yorker
“[A] wonderful trilogy. . . . If the Narnia books were like catnip for a certain kind of kid, these books are like crack for a certain kind of adult. . . . Brakebills graduates can have a hard time adjusting to life outside, though some distract themselves by lazily meddling in world affairs (e.g., the election of 2000). Readers of Mr. Grossman’s mesmerizing trilogy might experience the same kind of withdrawal upon finishing The Magician’s Land. Short of wishing that a fourth book could suddenly appear by magic, there’s not much we can do about it.”
—Sarah Lyall, The New York Times
“Grossman makes it clear in the deepening complexity and widening scope of each volume that he understands the pleasures and perils of stories and believing in them. . . . The Magician's Land triumphantly answers the essential questions at the heart of the series, about whether magic belongs to childhood alone, whether reality trumps fantasy, even whether we have the power to shape our own lives in an indifferent universe.”
—Gwenda Bond, The Los Angeles Times
“A wholly satisfying and stirring conclusion to this weird and wonderful tale. . . . Relentlessly subversive and inventive. . . . Grossman can . . . write like a magician. . . . [He] reminds us that good writing can beguile the senses, imagination and intellect. The door at the back of the book is still there, and we can go back to those magical lands, older and wiser, eager for the re-enchantment.”
—Keith Donohue, The Washington Post
“A huge part of the pleasure of this trilogy in general and this volume in particular is that, even as we consume the story just to find out what happens to Quentin, we know that we are collaborating in our own versions of its creation, its animation. The reader gets to be a magician, too.”
—Nancy Klingener, The Miami Herald
“[A] stirring finale to Grossman’s acclaimed trilogy.”
—People
“The Magician’s Land . . . does all the things you want in a third book: winding up everyone's stories, tying up the loose ends -- and giving you a bit more than you bargained for. . . . Starting very early in Magician's Land, Grossman kicks off a series of escalating magical battles, each more fantastic, taut, and brutal than the last, which comes to a head in the final chapters with a world-shattering Götterdämmerung scene that stands with great war at the climax of The Return of the King. At the same time, Grossman never loses sight of the idea of magic as unknowable and unsystematized, a thread of Borgesian Big Weird that culminates in a beautiful tribute to Borges himself. It's this welding together of adventure-fiction plotstuff and introspective, moody characterization that makes this book, and the trilogy it concludes, so worthy of your reading time, and your re-reading time.
—Cory Doctorow, Boing Boing
“The world of Grossman's ‘Magicians’ series is arrestingly original, joyful and messy. It's so vividly rendered that it's almost disappointing to remember that it doesn't, after all, exist. The overall effect is — well, there's really only one word for it: It's magical.”
—Chicago Tribune
“[A] satisfying ending to the series. . . . Saying goodbye to Quentin is bittersweet, but saying goodbye to a Quentin who achieves some peace at last fills the farewell with a reassuring optimism for his future.”
—The Boston Globe
“An enchanting conclusion . . . to a series that references C.S. Lewis and J.K. Rowling while remaining refreshingly original. . . . The Magician’s Land is that rare novel that looks at what happens after the child prodigy grows up and has to get a job. . . . [It] features the return of a character sorely missed by both Quentin and readers alike, as well as Grossman’s trademark witty dialogue.”
—The Christian Science Monitor
“The last (and IOHO, best) book in the hit Magicians trilogy. Savor every word.”
—Cosmopolitan
“An explosive conclusion to Quentin Coldwater’s adventures.”
—Entertainment Weekly
“A satisfying finale to the series, while adding depth and shading to the world. . . . Grossman tells exciting fantasy adventures, but at the same time deconstructs the fantasy, as his characters discover that even magical wish-fulfillment is no guarantee of happiness, and even a job casting spells in a magical land is still work.”
—A.V. Club (A-)
“When read straight through, the Magicians trilogy reveals its lovely shape. The world of the books wraps around itself, exposing most everything necessary by its conclusion, but occluding operations that we'll never need to see. There's still a series of mysteries and untold tales left unknown deep inside the books.”
—Choire Sicha, The Slate Book Review
“All lovers of Lev Grossman’s first two books of The Magicians trilogy: This is the end, beautiful friend. . . . One of the lovely things about this series is watching Quentin evolve from depressed teen to clear-eyed man. If Grossman raises his kids with the same sympathy with which he parents his literary teen, he’ll be a smashing success. . . . Battle scenes are laid out with vivid, near-storyboard detail. There’s so much excitement as to make the temptation to race ahead a serious danger. . . . Grossman brings the story home on a very satisfying chord. The chorus: We are all magicians. Life, like magic, gives back only as much as you put into it. It takes hard work, it hurts, and you have to be ready to fail. But deep within us all lies the power to enchant the world.”
—Cindy Bagwell, Dallas Morning News
“So you’ve torn through all the volumes of A Song of Ice and Fire (aka Game of Thrones), and you’re a little over the whole dystopian young-adult thing. What’s an adventure-minded reader to do for a fat beach book this August? Look no further than Lev Grossman’s Magicians trilogy.”
—Sara Stewart, The New York Post
“The very satisfying final book in [Grossman’s] trilogy. . . . This third book, at turns a heist story, a meditation on the act of creation, and an apocalyptic disaster tale, continues the adventures of main character Quentin Coldwater. It mixes genre deconstruction with psychological realism, full of self-aware figures who are cognizant of all the tropes of fantasy fiction, while at the same time working to fulfill those tropes or push against them. There are great swaths of high imagination in The Magician's Land, evocative passages that contain entire worlds. Writing, like magic, is a craft, and Grossman performs it oh so well.”
—Gilbert Cruz, NY1
“In the smash trilogy’s thrilling end, Quentin is cast out of Fillory, the enchanted realm he once ruled. But he’ll risk his life (and make dangerous allies) to save the threatened world.”
—US Weekly
“[A] deeply satisfying finale . . . [Grossman’s] characters’ magical battles have a bravura all their own. . . . The essence of being a magician, as Quentin learns to define it, could easily serve as a thumbnail description of Grossman’s art: ‘the power to enchant the world.’”
—Kirkus Reviews (starred review)
“An absolutely brilliant fantasy filled with memorable characters—old and new—and prodigious feats of imagination. . . . Endlessly fascinating . . . Fantasy fans will rejoice at its publication.”
—Booklist (starred review)
“[The Magicians] series taken as a whole brings new life and energy to the fantasy genre. The final volume will please fans looking for action, emotion, and, ultimately, closure.”
—Library Journal
“An elegantly written third act to Quentin’s bildungsroman. . . . Fans of the trilogy will be pleased.”
—Publishers Weekly
“If you haven’t read the first two books in Grossman’s Magicians trilogy, buy them immediately and set aside a weekend to read them straight through before you turn to The Magician’s Land. The series, which follows a group of—you guessed it—magicians through the emotional foibles of young adulthood has been called ‘Harry Potter for adults.’ But it’s way more complex than that. Grossman hones in on the particularly brutal business of being young, and then adds layer upon layer of literary allusion, creating works that are both homages to fantasy’s past and glimpses at its future.”
—The New Republic
“Sink your mobile devices into the nearest wishing well and duct-tape your front door against gnomes, pollsters, and other distractions. The Magician’s Land is beckoning, and demands your full attention. Lev Grossman proves again that the costs and consolations of creation—both of Fillory and of this conclusion to his trilogy—are mighty forces. Quentin Coldwater, Grossman's Orpheus and his Abraham, his Yahweh and his Puck, enchants as few other magicians can, or dare.”
—Gregory Maguire, author of Wicked and Egg & Spoon
“Lev Grossman has conjured a rare creature: a trilogy that simply gets better and better as it goes along. The Magician's Land is sumptuous and surprising yet deliciously familiar, a glass of rich red wine left out for a hungry ghost. Literary perfection for those of us who grew up testing the structural integrity of the backs of wardrobes.”
—Erin Morgenstern, author of The Night Circus
“The Magician's Land is a triumphant climax to the best fantasy trilogy of the decade.”
—Charles Stross
“Poignant and messy, fearsome and beautiful—like a good magic spell, the final book in this trilogy is more than the sum of its parts. Also, damn. Just some of the best magic I have read, ever.”
—Maggie Stiefvater
Praise for The Magician King
“[A] serious, heartfelt novel [that] turns the machinery of fantasy inside out.”
—The New York Times (Editor’s Choice)
“A spellbinding stereograph, a literary adventure novel that is also about privilege, power, and the limits of being human. The Magician King is a triumphant sequel.”
—NPR.org
“[The Magician King] is The Catcher in the Rye for devotees of alternative universes. It’s dazzling and devil-may-care. . . . Grossman has created a rare, strange, and scintillating novel.”
—Chicago Tribune
“The Magician King is a rare achievement, a book that simultaneously criticizes and celebrates our deep desire for fantasy.”
—The Boston Globe
“Grossman has devised an enchanted milieu brimming with possibility, and his sly authorial voice gives it a literary life that positions The Magician King well above the standard fantasy fare.”
—San Francisco Chronicle
“Grossman expands his magical world into a boundless enchanted universe, and his lively characters navigate it with aplomb.”
—The New Yorker
“The Magician King, the immensely entertaining new novel by Lev Grossman, manages to be both deep and deeply enjoyable.”
—Chicago Sun-Times
“Now that Harry Potter is through in books and films, grown-up fans of the boy wizard might want to give this nimble fantasy series a try.”
—New York Post
“Lev Grossman’s The Magician King is a fresh take on the fantasy-quest novel—dark, austere, featuring characters with considerable psychological complexity, a collection of idiosyncratic talking animals (a sloth who knows the path to the underworld, a dragon in the Grand Canal), and splendid set pieces in Venice, Provence, Cornwall, and Brooklyn.”
—The Daily Beast
“In this page-turning follow-up to his bestselling 2009 novel The Magicians, Grossman takes another dark, sarcastically sinister stab at fantasy, set in the Narnia-esque realm of Fillory.”
—Entertainment Weekly
Praise for The Magicians
“Fresh and compelling…The Magicians is a great fairy tale, written for grown-ups but appealing to our most basic desires for stories to bring about some re-enchantment with the world, where monsters lurk but where a young man with a little magic may prevail.”
—Washington Post
“The Magicians is original…slyly funny.”
—USA Today
“Lev Grossman’s playful fantasy novel The Magicians pays homage to a variety of sources…with such verve and ease that you quickly forget the references and lose yourself in the story.”
—O, The Oprah Magazine
“The Magicians is to Harry Potter as a shot of Irish whiskey is to a glass of weak tea. Solidly rooted in the traditions of both fantasy and mainstream literary fiction, the novel tips its hat to Oz and Narnia as well to Harry, but don’t mistake this for a children's book. Grossman’s sensibilities are thoroughly adult, his narrative dark and dangerous and full of twists. Hogwarts was never like this.”
—George R. R. Martin, bestselling author of A Game of Thrones
“Stirring, complex, adventurous…from the life of Quentin Coldwater, his slacker Park Slope Harry Potter, Lev Grossman delivers superb coming of age fantasy.”
—Junot Díaz, Pulitzer Prize–winning author of The Brief Wondrous Life of Oscar Wao
“I felt like I was poppin’ peyote buttons with J. K. Rowling when I was reading Lev Grossman’s new novel The Magicians.…I couldn’t put it down.”
—Mickey Rapkin, GQ
“The novel manages a literary magic trick: it’s both an enchantingly written fantasy and a moving deconstruction of enchantingly realized fantasies.”
—Los Angeles Times
“Intriguing, coming-of-age fantasy.”
—Boston Globe (Pick of the Week)
“The Magicians by Lev Grossman is a very entertaining book; one of those summer page-turners that you wish went on for another six volumes. Grossman takes a good number of the best childhood fantasy books from the last seventy-five years and distills their ability to fascinate into the fan-boy mind of his protagonist, Quentin Coldwater.… There is no doubt that this book is inventive storytelling and Grossman is at the height of his powers.”
—Chicago Sun-Times
“Entertaining.”
—People
“Lev Grossman’s novel The Magicians may just be the most subversive, gripping, and enchanting fantasy novel I’ve read this century…. Grossman is a hell of a pacer, and the book rips along, whole seasons tossed out in a single sentence, all the boring mortar ground off the bricks, so that the book comes across as a sheer, seamless face that you can’t stop yourself from tumbling down once you launch yourself off the first page. This isn’t just an exercise in exploring what we love about fantasy and the lies we tell ourselves about it—it’s a shit-kicking, gripping, tightly plotted novel that makes you want to take the afternoon off work to finish it.”
—Cory Doctorow, Boing Boing
“An irresistible storytelling momentum makes The Magicians a great summer book, both thoughtful and enchanting.”
—Salon.com
“Sly and lyrical, [The Magicians] captures the magic of childhood and the sobering years beyond.”
—Entertainment Weekly
“This gripping novel draws on the conventions of contemporary and classic fantasy novels in order to upend them, and tell a darkly cunning story about the power of imagination itself. [The Magicians is] an unexpectedly moving coming-of-age story.”
—The New Yorker
From the Hardcover edition.
About the Author
Lev Grossman is the book critic for Time magazine and the author of five novels, including the international bestseller Codex and the #1 New York Times bestselling Magicians trilogy. He lives in Brooklyn with his wife and three children.
From the Hardcover edition.
Most helpful customer reviews
27 of 32 people found the following review helpful.
Somewhere between Harry Potter and Game of Thrones
By Laurie Bartels
I read a review of Grossman's trilogy that described it as Harry Potter for adults and I knew Syfy had bought the rights to it, so I thought I would give it a try. The cosmology created is not at fun as the one in Harry Potter or Lord of the Rings, but the characters were well-developed. I liked the way Grossman used flashbacks to fill in the backstory. I read all three back to back because I really did want to know where the story went. The characters are sympathetic and the situations have verisimilitude. I have recommended these books to several friends.
10 of 11 people found the following review helpful.
The First Great Fantasy Saga of the 21st Century
By John Kwok
Lev Grossman has reinvigorated the genre of fantasy with his "Magician" novels, merging traditional tropes of heroic fantasy with the elements and techniques associated with contemporary mainstream Anglo-American literary fiction, and creating what have to be regarded as instant classics in the genre of fantasy fiction. "The Magicians" is the first great fantasy novel of this century; a riveting coming-of-age tale about an intellectually gifted teenager, one Quentin Coldwater, eventually, a magician who learns that possession of great magical powers can come at a most terrible price. Paying homage to such illustrious writers as C. S. Lewis, J. R. R. Tolkien, T. H. White, and Ursula K. Le Guin, while also acknowledging a most respectful nod or two to J. K. Rowling's "Harry Potter" saga, Grossman has wrought a fantasy tale steeped in realism unlike any other, one in which reasonable, sound choices are those that can be expected and the usage of magic itself can not alter the past nor the present. An unexpected chain of events takes Coldwater from the streets of his Park Slope, Brooklyn home to the Brakebills College of Magical Pedagogy, whose idyllic grounds overlook the Hudson River, even as he dreams of Fillory, the magical realm depicted in his favorite fantasy novels. A passion that consumes him even as a young adult recently graduated from Brakebills, until, by accident, he learns that Fillory is indeed a real realm located in another plain of existence. Journeying with his college friends, Quentin makes a perilous trip there, finding it not the realm of his dreams, but instead, one that is far more dangerous than he could ever have possibly imagined, and uncovering a terrible secret whose discovery will cause great harm and emotional anguish to Quentin and his friends. Much to my astonishment, Grossman has written a most compelling dark fantasy novel for adults that merges the emotions, wants and desires of twenty-something adults within the tropes of heroic fantasy; it would be an understatement to say that this is a "Harry Potter" novel for adults; it is much more, an epic fantasy worthy of comparison with the finest written from the likes of Homer to Lewis and Tolkien, and one that considerably raises the standard for writing epic fantasy tales, by merging it successfully within the genre of mainstream literary fiction. Without a doubt, "The Magicians" will be remembered as one of the great fantasy novels of our time, and it and its sequels as the first great fantasy saga of the 21st Century and one worthy of recognition as among the finest ever conceived.
Magic is disappearing from Fillory, and the Neitherlands - the realm that is the "door" to Fillory from Earth - lies in ruins. To save Fillory, Quentin Coldwater, a Magician King of this realm, must embark upon a quest to save it and to save magic forever, searching for a set of golden keys that will rescue both from the dark fate awaiting them. An epic quest that will thrust him back to Earth, on a globe-trekking journey from his parents Chesterton, Massachusetts home to the canals of Venice, searching for a means to return to Fillory after being sent unexpectedly back to Earth. However, "The Magician King" is not just an epic fantasy novel about Quentin embarking on a hero's quest. It is also chronicles how Quentin's high school friend Julia became a magician in her own right, after flunking the Brakebills College entrance examination. "The Magician King" is as much her story as it is Quentin's. How she undertakes her own personal perilous journey to master magic, a dark form that she learns in a house inhabited by self-taught magicians in the urban jungle that is the Bedford-Stuyvesant neighborhood of Brooklyn, New York. A perilous journey that will also lead her to Venice, where she and her friends undertake a ritual to summon the old gods with disastrous consequences for all. Lev Grossman has written a darker, psychologically, intense sequel to "The Magicians", and one that literally overturns the notion that the hero earns his rewards at the very end. "The Magician King" demonstrates that Grossman has become the true heir to C. S. Lewis and his "Narnia" fantasy saga, but a heir who demonstrates confident mastery of both mainstream literary fiction and fantasy tropes, in crafting a sequel to "The Magicians" that may be a far more intense, emotionally and psychologically riveting tale than its predecessor. Without a doubt, Grossman demonstrates in "The Magician King" that he deserves ample recognition, along with Neil Gaiman, Ursula Le Guin, China Mieville and Catherynne Valente, among others, as one of the great fantasy writers of our time.
With the debut of "The Magicians", Lev Grossman introduced readers to a new form of heroic epic fantasy, one in which the rules of magic existed with ample realism; a heroic epic fantasy novel that had more in common with Philip Pullman's "His Dark Materials" trilogy than anything written by the likes of Neil Gaiman, George R. R. Martin, or J. K. Rowling, especially when Grossman's "Magician" novels have been dubbed "Harry Potter for adults". "The Magician's Land" is the most "adult" of the "Magician" novels, and yet, one which will dazzle readers with more feats of magic and heroic fantasy quests, than in the prior "Magician" novels. One of the greatest - I would say even guilty - pleasures in reading the work of a most gifted and thoughtful writer, Lev Grossman, has been watching the development of a great cast of memorable characters, of whom Quentin Coldwater, the main protagonist in the "Magician" novels, may be the most complicated hero ever envisioned within the genre of heroic epic fantasy. Indeed Quentin's ongoing struggles to understand his magical powers, and to deal with his personal crises, clearly has struck a nerve with many of Grossman's younger, often twenty-something, readers, making him a realistic figure far more sympathetic and intriguing than Bilbo Baggins, Frodo Baggins or the wizard Gandalf in J. R. R. Tolkien's "Middle-Earth" novels and tales.
While one doesn't have to read the other two novels in the "Magicians" trilogy to get ample pleasure reading the latest exploits of Quentin and his friends, readers who are familiar with the earlier novels will understand the great emotional arcs undertaken by them, showing great capacities for personal growth both here, in the real world, and in the magical realm of Fillory. We're introduced to Quentin as part of a team of magicians planning a most spectacular heist, before we are treated to an engrossing back story regarding his all too brief tenure as a new Brakebills Preparatory College of Magic professor, and his unexpected encounter with brilliant, and exceptionally talented, Brakebills student Plum; an encounter that will take them on an epic quest that will lead them to a most powerful spell, and eventually, even Fillory itself. A Fillory whose future seems dark, as its rulers, Eliot and Janet, old friends of Quentin's, try saving it. Grossman's superb gifts as both a fine prose stylist and engrossing storyteller are in ample abundance in "The Magician's Land", and, even more than its predecessors, yielded a novel so compellingly readable that I found it impossible to put down. It is no mere understatement to note that "The Magician's Land" is a spectacular conclusion to the best fantasy series published so far in this century, and one that will be remembered as one of the greatest fantasy sagas of all time.
19 of 23 people found the following review helpful.
Not sure I like the cover.
By Juhaxos
I honestly love this series, and since the show came out, I was looking for a trilogy to reread them all.
The box is beautiful, the books designs are fantastic, and I'm super excited to read them again! ... The sad thing about this box set (which is why I gave it 4 stars instead of 5) is that each of the covers has a purple "Coming to Syfy 2016" printed on it. I'm not super picky about anything, but I'm not a fan of this logo on the covers; the illustrations are beautiful, but they're unfortunately ruined (just my opinion) with that purple emblem.
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